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In 1990, Robin Williamson launches Music for the Newly Born, an unusual combination of multiple influences in his days with the Incredible String Band . One side "A", with pieces for the "awakening", a B side pieces for the "rest" of the "soul of the unborn, babies (and parents) recorded in Wales under the sieve of styles Celtic, Indian, Japanese and classical. In 1993, releases two cassettes continuing with his fireside bardic stories, Bonny Green Bird , and Amadan of the Dough. Earlier this year Williamson made contact with John Renbourn (formerly of Pentangle, John Renbourn Group), and together they decide to make tours through the USA and Europe under the pseudo-duo Incredible String Tangled (sic). Part of these concerts were released on CD as Wheel of Fortune in 1994, mingled with interesting duet arrangements for harp, whistle, and acoustic guitars, and even something usual in the preceedings works of Williamson, a mythical tale reconing his own compilations on hi book The Craneskin Bag and which could add to the already twelve cassettes devoted to the genre. Robin back in 1995 returns as a soloist with The Island of the Strong Door, an album with nine songs and an instrumental piece. A very personal work that shows a 51-year-old Williamson at the height of a style that it forged an artist questioned about a future reflected in the face of his son, an artist who may not survive to dedicate a song "The desperation has filled my tongue, my heart was an open portal for so long after death, the power of song. Singing our common fears and joys no other pleasure seeking your hand in mine, I see my ancestors passing kicked from behind, my life has been a tangle of events and items, none of us can beat the time. "
Williamson published in 1996 his first album with a limited edition, called "Songs for The Calendarium", recorded live in 1995 at Darmstadt, which collects songs in one show, referring to the months of the year, with new versions of items already published and a few unpublished. Obviously an oddity.In 1997 he launch
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In 2001 published "The Seed-Robin Williamson at Zero," an exquisite intimate album that hits the market, under the ECM label, combining original songs and revisited ones from previous albums with lyrical Welsh poet Dylan Thomas, and Henry Vaughan others
Then his current projects were related to scores for two television documentaries. One of them, the "Carmina" Peter Neal though completed, released in December 2001 with the launch of television and act choir and orchestra. It is noteworthy that Peter Neal was the one who made the film of the Incredible String Band ( "Be glad for the song has no ending") and recent concerts at the Festival Theater Cropredy and Bloomsbury. The stamp Williamson (Pig-Whisker s) in conjunction with Screen Ventures plan to make a documentary of the band for television as well as
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On 2002 appears the third sequel of his bardic recordings Gems Of Celtic Story 3 (2002). Tale of Deeds of the Tuatha De Danaan and of the two battles of Mag Tuired. From the magic lore of ancient Ireland this tale recounts the conflicts of the ancestors at the dawn of the world. Stark, strange, beautiful, violent and hinting always at hidden truths, this of all celtic literature presents an insight into druidic allegorical teachings.
Meanwhile Williamson continued his solo career, recording once again for the prestigious ECM label 'Skirting The River Road' (2002) and 'The Iron Stone' (2006) featured him combining his own words with those of the likes of Dylan Thomas, William Blake, and Walt Whitman. Musically these records show him increasingly working in a fusion style (similar in some ways to the avant-garde work of the Incredible String Band in the 60's) which incorporates folk, jazz, Renaissance, Classical and Eastern influences.
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