
Targeted in a new creative vein, Robin lines up the Merry Band, consisting of musicians exception: Sylvia Woods, champion Irish Gaelic harp, Chris Caswell, maker of Celtic harp, flute player and piper, and Jerry McMillan, wandering violinist. The compositions are now up from an idea, melody and sk

The music of Robin Williamson aims to create a contemporary style but with a recovery of the Celtic roots of a millennium ago. In 1981 he published a trilogy on cassette about Gruagachs ; stories devoted to the classic Gaelic wizard, with a 30-to-40 minutes narrative each and based on traditional motifs retold by Robin Williamson.This series were finished in 1982. That year some former Merry Band released their solo albums, including Robin who throws in that year Songs of Love and Partings, supporting and even nine years later, his first legendary Lp Myrrh. This production includes two themes of his work for theater Tree of Leaf and Flame, collaborative work, like the double album U of ISB-dance with the company Moving Being. Second inclusion corresponds to the work-Mabinogi allusive to a saga of medieval Welsh tales with music and choreography by Williamson and Geoff Moore. These pieces were represented in the open in Wales, near castles with jugglers, artifacts, animals, and actors. In August 1983 publishes the album which includes the instrumentals of the piece under the name Music for the Mabionogi with songs performed by members of the division with Robin Williamson, who in t

Channel 4 TV ,comprising a series of 13 chapters on the history of the people "a musical journey from the snow-covered hills to the green pastures, from the legendary druidic dragon till the exciting present one, a surging stream of melody through time and place. " Here raids from background on synthesizers mingled with traditional instruments and arrangements as written in one of his letters of the time "a blessing which is not good to abuse." . 4) Finally publishes the first in a series of tapes ( the remaining five in 1985) - which included over 30/40 minute length legends and poems by Robin recounted with sporadic harp. inclusions. In 1985, the music for The Dragon has two Tongues is published, and Robin returns with the Moving Bieng Company with the piece Sea’s Prospect , an allusive portrait of the Welsh poet Dylan Thomas. During 1986, is published the 2nd Volume of Legacy of the Scottish Harpers, and is published in Britain A Glint of the kindling of the Merry Band with Songs and Music 1977, a compilation album, including Journey’s Edge and American Stonehenge. A production cut with jovial and unusual songs and music closes winter 1986 under the name Winter’s Turning, album that includes pieces of Henry VIII, Shakespeare, Praetorius, Corelli, Vivaldi, and O'Carolan with a very personal design electroacoustic . In 1987 he endorsed another conceptual work, Songs for Children of All Ages, a good selection of songs and riddles of surprising and enigmatic themes in the Celtic tradition. It is noteworthy that includes new versions of two pieces composed in 1968 by Robin Williamson with the ISB. Ten Songs was published in 1988 consititng of ten pieces that show a Williamson identified with the grain and bardic sounds but inserts issues with soft sounds and arrangements / political issues related to rock / contemporary social. It is the first work that contains pieces from 1981 and includes a new version of the theme Lammas, published in Selected Writings 1980-83. Collaborates in turn in the band's soundtrack for George Lucas film Willow / MGM and play Merlin the Magician represented in Welsh during the month of August. Based in Edinburgh in 1989 publisheds the book The Crankeskin Bag, a collection of short stories and poems collected and adapted from the tradition of Wales, Ireland and Scotland, who remained in the vernacular tongue and were included in its five by Robin tapes released in legends 84-85. In the United States is published as The Wise and Foolish Tongue. In 1990, launches Music for the Newly Born, an unusual combination of multiple influences in their times with the ISB. One side "A", with pieces for the "awakening", a B side pieces for the "rest" of the soul of the unborn, babies (and parents) recorded in Wales under the sieve of Celtic styles , Indian, Japanese and classical ones.
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